the man who knew infinity movie portland

Paul Thomas Anderson’s “Licorice Pizza” skipped a festival premiere, heading straight into limited release (with a fittingly unique strategy), before rolling out in other cities in the coming weeks. Jane Campion’s masterful, menacing “The Power of the Dog” premiered at Venice, enjoyed a limited theatrical release, and is now (right this very minute!) available to stream on Netflix. Look no further than our top two films, both new offerings from some of contemporary cinema’s most enduring and exciting auteurs, for proof that the delivery service is hardly as important as the art being, well, delivered. And while many might bemoan the degradation of the “movie-going experience,” no matter how you saw the best of this year’s beefy batch, it was worth it. While the 2021 landscape looked a fair bit different than that of 2020 – for one thing, in-person festival attendance and theater-going returned, if cautiously and with plenty of new protocols – the ability to see films beyond the big screen has only continued apace. It’s IndieWire’s now-familiar – and still very true – reframe: anyone who thinks this year (read: any year) has been bad for movies simply hasn’t seen enough of them.

The man who knew infinity movie portland